Work

staying connected — to each other, to ourselves, to the world

A series of wishful reflexions in the rain

Neon City

I often paint big cities as the stage for my artworks. The tension between the buzzing life of thousands of people and the anonymous individual lost in the masses intrigues me. How everyone is a lonely cog and yet the center of their whole universe.

I paint these artworks digitally, but I hate the anonymity of „prints“.

So my workflow includes printing the artwork on fineart canvas, put it on a stretcher frame and embellish each piece by hand: I overpaint important areas with acrylic paint, often neon or metallic paint, to enhance the colors in a way no print can deliver.

Then I treat the artwork with UV varnish and overpaint it with structured medium for a painted three dimensional experience — each surface is unique and offers a haptic experience in addition to the visual presence of the artwork

Broken Mask

The weight of the mask is gone. Its shelter is gone. Where will you go from here — bare, exposed and entirely on your own?
Cut Off

Inside, solitude. Outside, rain, light, and the distant pulse of lives unfolding elsewhere.
A quiet moment shaped by distance, longing, and the sense of being left just outside of it.
Rain Dance

This dancer embraces his universe, even shares it with the world — displaying courage and vulnerability in uncertainty. Maybe no one is watching. Maybe everyone is watching. Which thought is more terrifying..?
Stranger’s Eyes

It’s you, my love, it’s you who are the stranger. [L.Cohen]
In „Stranger’s eyes“ I painted a fragment of time suspended in eye contact. How long will it last? Could be a glance, could be a lifetime.

Glimpses into passion

Lover‘s touch

There‘s so much we can never communicate with words. Where two bodies touch, they lay themselves bare before each other — and this connection lingers on, long after the physical warmth has faded away.

I paint these artworks digitally, but I hate the anonymity of „prints“.

So my workflow includes printing the artwork on fineart canvas, put it on a stretcher frame and embellish each piece by hand: I overpaint important areas with acrylic paint, often neon or metallic paint, to enhance the colors in a way no print can deliver.

Then I treat the artwork with UV varnish and overpaint it with structured medium for a painted three dimensional experience — each surface is unique and offers a haptic experience in addition to the visual presence of the artwork

Lipstroke
Buttgrab
Eyekiss

Bodies brimming with aftersparks

movement

Stasis is no aspect of being alive. We’re always moving, flowing, becoming. In this series I explore bodies after being touched by different emotions and states of mind.

I paint these artworks digitally, but I hate the anonymity of „prints“.

So my workflow includes printing the artwork on fineart canvas, put it on a stretcher frame and embellish each piece by hand: I overpaint important areas with acrylic paint, often neon or metallic paint, to enhance the colors in a way no print can deliver.

Then I treat the artwork with UV varnish and overpaint it with structured medium for a painted three dimensional experience — each surface is unique and offers a haptic experience in addition to the visual presence of the artwork